SK世界流行音乐系列之 曾经让你为之着魔的磁性嗓音（100%有你喜欢的歌星）

steveking

还记得吗
收音机里那被反复播放的旋律
你还记得吗
那些曾让你为之着魔的磁性男嗓
从理查德马克思到迈克波顿
从I do it for you到forever young
被深深吸引
你好想找人表白

只是你曾爱得那么汹涌
爱得那么深
虽然毕业了 工作了 结婚了 有孩了
仍然忘不了他们
如果当初在买碟时能忍住了
激动的灵魂
也许现在你不会让自己在怀旧里
沉沦



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优酷有点慢，建议先听后面 YOUTUBE 上的歌
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转自 http://ent.sina.com.cn/y/2006-02-07/2031978814.html

    Bruce Springsteen是美国70年代以来大红大紫的摇滚乐巨星之一。到了90年代，他依然光彩照人，余音袅袅。

　　1949年9月23日，Bruce Springsteen出生于美国新泽西洲(New Jersey)的费里霍尔德(Freehold)。1963年开始学弹吉它。1965年他加入了凯斯泰尔乐队，参与了专辑《那是你将要得到了》。凯斯泰尔乐队宣布解散后，Bruce Springsteen在其它几个乐队里又陆续干了3年。

　　1971年组建了经自己名字命名的乐队。它在1973年发展成为著名的东大街乐队 (the E.Street Band)，主要成员包括键盘手大卫.山休斯(David Sancious)、电贝斯手加利.泰伦特(Gary Tallent)、风琴手丹尼.费德里奇(Danny Fedrici)、架子鼓手维尼.洛佩兹(Vivi Lopez)、萨克斯风演奏手克莱伦斯.克莱蒙斯(Clarence Clemmons)等人。

　　1973年1月，Bruce Springsteen的首张专辑《来自阿斯贝里公园的祝福》(Greeting from Asbary Park)面世。但是这些源于民谣的歌曲并未引起乐迷的兴趣，唱片仅销售出5万多张。同年，11月的专辑《野蛮.无知和东大街的混乱》(The Wild,The Inncocent And The E.Steet Shuffle)仍然没有达到预期的结果。

　　1974年，东大街乐队组成了更理想的阵容，实力大大加强，新加盟的有钢琴家洛易.比坦、鼓手马克斯威伯和键盘手丹尼.费德里西。1975年又增加了吉它手斯坦福.范.扎德特，原有的键盘师和鼓手也都换了人。

　　1975年9月，Bruce Springsteen在新专辑《为跑而生》(Born to Run)终于冲上了排行榜的第三位，他本人则成为举世公认的摇滚乐明星。10月，Bruce Springsteen的照片同时在《时代》(Time)和《新星期》(Newweek)两家杂志上刊出，名气大振。就在这一年，为扩大影响，Bruce Springsteen和他的乐队不失时机地在美国的各地不断地举行巡回演出。

　　接着，他们又创造了令人惊奇的成绩：

　　1978年，《城镇边缘的黑暗》(Darkness on the Edge of Town)进入排行榜的第5位。获金唱片奖和白金唱片奖。该专辑主要是反映以往的问题，是一张充满忧郁的专辑。15年后，该作品仍在乐坛上占有一席之位。1979年，现场演出专辑《不要原子能》问世。1980年，《河流》(the River)高踞排行榜首，销售极为火爆。1982年，《内布拉斯加》(Nebraka)排行榜第三，《饥渴的心》(Hungry Heart)也进入了前十名。1984年，《诞生在美国》(Born in the U.S.A)在美国排行榜榜首停留了7周，销量超过了1，200万张。而在英国排行榜上停留了两年半之久。Bruce Springsteen是“拯救非洲难民”(USA for Africa)活动的参与者之一，他与迈克.杰克逊等明星一齐演唱了We Are the World。1986年，从10年来的曲目中，Bruce Springsteen挑选了一些精品，推出了一张精选集(Live 1975-1985)。它又稳居排行榜首达7周之久。Bruce Springsteen的艺术生涯如日中天。1985年，Bruce Springsteen和女演员朱莉安.菲利浦(Julianne Philips)结婚后，渐渐失去了往日的狂热，他想多享受一些私人生活的快乐。当然，他的艺术生涯仍在继续，并参与了大量的公益演出活动。这期间发行了专辑以1987年的《爱的通道》(Tunnel of Love)最为成功，专辑对其爱情的失败进行了反思。这部柔和优美专辑由于预先的订购一发行就在英美两地进入了排行榜榜首。1989年，Bruce Springsteen和朱莉安结束了仅5年的婚姻。随后，他和在巡回演出中合作过的女歌手帕蒂.莎尔法(Patti Scialfa)确立了恋爱关系。同年，东大街乐队在其建议下解散了。1992年，Bruce Springsteen在解散东大街乐队的同时，推出了专辑《幸运之镇》(Lucky Town)和《人类的接触》(Human Touch)。由于乐迷的支持，两专辑虽然没有以往那么火热，但还是如期所料登上排行榜。1994年，他为电影《费城故事》(Philadelphia)创作了Street of Philadelphia。1995年，据说他又重新与大东街乐队的队员合作。当他率领人员精简的新乐队作巡回演出时，Bruce Springsteen自己同时操作几种乐器，其令人眼花缭乱的动作在乐迷中引起了轰动。1995年，其推出了一张对越南战争感想的专辑《汤姆.周的灵魂》(The Ghost of Tom Joad)，这张专辑是不再是象以往那样的狂热，充满激情的作品，而是单纯的哲理性的沉思。该专辑可以说是他多年来最成功的作品，但也是商业上最失败的专辑之一。

[ 本帖最后由 steveking 于 2008-10-25 23:51 编辑 ]

steveking

I get up in the evening
and I ain't got nothing to say
I come home in the morning
I go to bed feeling the same way
I ain't nothing but tired
Man I'm just tired and bored with myself
Hey there baby, I could use just a little help

You can't start a fire
You can't start a fire without a spark
This gun's for hire
even if we're just dancing in the dark

Message keeps getting clearer
radio's on and I'm moving 'round the place
I check my look in the mirror
I wanna change my clothes, my hair, my face
Man I ain't getting nowhere
I'm just living in a dump like this
There's something happening somewhere
baby I just know that there is

。。。

You sit around getting older
there's a joke here somewhere and it's on me
I'll shake this world off my shoulders
come on baby this laugh's on me

Stay on the streets of this town
and they'll be carving you up alright
They say you gotta stay hungry
hey baby I'm just about starving tonight
I'm dying for some action
I'm sick of sitting 'round here trying to write this book
I need a love reaction
come on now baby gimme just one look

[ 本帖最后由 steveking 于 2008-10-25 16:50 编辑 ]

steveking

       

伤痕累累，兀自难言
对影自怜
认不出镜中的自己
宛如面对陌生的面容
兄弟啊，我就要离去
消散在费城的街道上
走到步伐蹒跚
朋友的声音消失在耳畔
夜晚倾听自己血液流动
像雨丝般轻柔而朦胧
洒落在费城的街道上
天使不再眷顾我
身边剩下的就只有你
衣衫不再合体
攀越千里只为释放真我
夜幕低垂，辗转难眠
感觉自己萎缩凋零
兄弟啊，你能接受我吗？
即便用你不忠的吻
又或是像现在一样各行其路
在费城的街头
from www.youku.com

I was bruised and battered and I couldnt tell
What I felt
I was unrecognizable to myself
I saw my reflection in a window I didnt know
My own face
Oh brother are you gonna leave me
Wastin´away
On the streets of philadelphia

I walked the avenue till my legs felt like stone
I heard the voices of friends vanished and gone
At night I could hear the blood in my veins
Black and whispering as the rain
On the streets of philadelphia

Aint no angel gonna greet me
Its just you and I my friend
My clothes dont fit me no more
I walked a thousand miles
Just to slip the skin

The night has fallen, Im lyinawake
I can feel myself fading away
So receive me brother with your faithless kiss
Or will we leave each other alone like this
On the streets of philadelphia

[ 本帖最后由 steveking 于 2008-10-25 16:52 编辑 ]

steveking

The screen door slams
Mary' dress waves
Like a vision she dances across the porch
As the radio plays
Roy Orbison singing for the lonely
Hey that's me and I want you only
Don't turn me home again
I just can't face myself alone again
Don't run back inside
Darling you know just what I'm here for
So you're scared and you're thinking
That maybe we ain't that young anymore
Show a little faith there's magic in the night
You ain't a beauty but hey you're alright
Oh and that's alright with me

You can hide 'neath your covers
And study your pain
Make crosses from your lovers
Throw roses in the rain
Waste your summer praying in vain
For a saviour to rise from these streets
Well now I'm no hero
That's understood
All the redemption I can offer girl
Is beneath this dirty hood
With a chance to make it good somehow
Hey what else can we do now ?
Except roll down the window
And let the wind blow
Back your hair
Well the night's busting open
These two lanes will take us anywhere
We got one last chance to make it real
To trade in these wings on some wheels
Climb in back
Heaven's waiting on down the tracks
Oh-oh come take my hand
We're riding out tonight to case the promised land
Oh-oh Thunder Road oh Thunder Road
Lying out there like a killer in the sun
Hey I know it's late we can make it if we run
Oh Thunder Road sit tight take hold
Thunder Road

Well I got this guitar
And I learned how to make it talk
And my car's out back
If you're ready to take that long walk
From your front porch to my front seat
The door's open but the ride it ain't free
And I know you're lonely
For words that I ain't spoken
But tonight we'll be free
All the promises'll be broken
There were ghosts in the eyes
Of all the boys you sent away
They haunt this dusty beach road
In the skeleton frames of burned out Chevrolets
They scream your name at night in the street
Your graduation gown lies in rags at their feet
And in the lonely cool before dawn
You hear their engines roaring on
But when you get to the porch they're gone
On the wind so Mary climb in
It's town full of losers
And I'm pulling out of here to win

[ 本帖最后由 steveking 于 2008-10-25 16:54 编辑 ]

steveking

转自 http://www.musicspirits.com/rockbands/rockband699.html

素有加拿大不死鸟之称的Bryan Adams拥有一副沙哑粗狂的嗓音，他是80年代最具影响力的主流摇滚歌手之一，以富有激情和穿透力十足的演唱为特点。Bryan Adams的职业生涯从1981年开始，他与A&M唱片公司签下合约,推出了首张个人同名专辑《Bryan Adams》。接下来的数张专辑稳扎稳打，使他从一个默默无闻的毛头小子转变成受人瞩目的明星。《Straight From The Heart》,《Run To You》等歌曲接连打入Top10排行榜。但是真正为他奠定国际巨星地位的还是1991年推出的电影《绿林英雄罗宾汉》的主题曲《Everything I Do, I Do It For You》，这首歌脱离了他的早期的摇滚风格，是一首经典的慢板抒情歌曲，这首歌在英国排行榜上连续15周高居榜首，在美国也连获7周的冠军，创造了一个排行榜奇迹。

[ 本帖最后由 steveking 于 2008-10-25 13:00 编辑 ]

steveking

Look into my eyes - you will see
What you mean to me
Search your heart - search your soul
And when you find me there you'll search no more

Don't tell me it's not worth tryin' for
You can't tell me it's not worth dyin' for
You know it's true
Everything I do - I do it for you

Look into your heart - you will find
There's nothin' there to hide
Take me as I am - take my life
I would give it all - I would sacrifice

Don't tell me it's not worth fightin' for
I can't help it - there's nothin' I want more
Ya know it's true
Everything I do - I do it for you

There's no love - like your love
And no other - could give more love
There's nowhere - unless you're there
All the time - all the way
...

[ 本帖最后由 steveking 于 2008-10-25 16:16 编辑 ]

steveking

I got my first real six-string
Bought it at the five-and-dime
Played 'til my fingers bled
It was summer of '69

Me and some guys from school
Had a Band and we tried real hard
Jimmy quit and Jody got married
I shualda known we'd never get far

Oh when I lock back now
That was seemes to last forever
And if I had the choice
Ya - I'd always wanna be there
Those were the best days of my life

(CHORUS)

Ain't no use in complainin'
When you got a job to do
Spent my evenin's down at the drive in
And that's when I met you

Standin on a mama's porch
You told me that you'd wait forever
Oh and when you held my hand
I knew that it was no or never
Those were the best days of my life

(Chorus) Back in Summer of '69

Man we were killin' time
We were young and restless
We needed to unwind
I guess nothin' can last forever, no

And now the times are changin'
Look at everything that's come and gone
Somethimes when I play that old six-string
I think about ya wonder what went wrong

Standin' on a mama's porch
You told me it would last forever
Oh the way you held my hand
I knew that it was now or never
Those were the best days of my life

(Chorus) Back in summer of '69

[ 本帖最后由 steveking 于 2008-10-25 16:20 编辑 ]

steveking

When it's love you give
(I'll be a man of good faith.)
Then in love you live.
(I'll make a stand. I won't break.)
I'll be the rock you can build on,
Be there when you're old,
To have and to hold.

When there's love inside
(I swear I'll always be strong.)
Then there's a reason why.
(I'll prove to you we belong.)
I'll be the wal that protects you
From the wind and the rain,
From the hurt and pain.

Let's make it all for one and all for love.
Let the one you hold be the one you want,
The one you need,
'Cause when it's all for one it's one for all.
When there's someone that should know
Then just let your feelings show
And make it all for one and all for love.

When it's love you make
(I'll be the fire in your night.)
Then it's love you take.
(I will defend, I will fight.)
I'll be there when you need me.
When honor's at stake,
This vow I will make:

That it's all for one and all for love.
Let the one be the one you want,
The one you need,
'Cause when it's all for one it's one for all.
When there's someone that should know
Then just let your feelings show
And make it all for one and all for love.

Don't lay our love to rest
'Cause we could stand up to you test.
We got everything and more than we had planned,
More than the rivers that run the land.
We've got it all in our hands.

Now it's all for one and all for love.
(It's all for love.)
Let the one you hold be the one you want,
The one you need,
'Cause when it's all for one it's one for all.
(It's one for all.)
When there's someone that should know
Then just let your feelings show.
When there's someone that you want,
When there's someone that you need
Let's make it all, all for one and all for love.

[ 本帖最后由 steveking 于 2008-10-25 16:22 编辑 ]

steveking

转自 http://tieba.baidu.com/f?kz=115226143

Michael Bolton对情歌的演绎，出色在于其独到的唱腔。在其硬摇滚乐队生涯时期，Bolton的嗓子在狂喊中打磨出粗糙而又富有磁性的音色；而早期灵歌的积累，则使他在各个音阶的承启转换中进退自如；再加上双鱼座天生的感性，以及那头如雄狮般的卷发，Michael Bolton作为情歌大师，含情脉脉的演唱魅力十足，被称作乐坛上的“情歌大师”。但是，也有很多人对他声嘶力竭似的演唱并不欣赏，即使在主流乐坛， Michael Bolton也遭遇了许多非议。专辑缺乏内在呼应、没有鲜明主题却始终是Michael Bolton音乐作品的硬伤。对情歌外在的包装、演唱腔调的与众不同，毕竟掩盖不了Michael Bolton的作品缺乏艺术探索和创新的事实。并且，由于主题的相对狭窄，决定了他的音乐作品先天性的单薄。尽管听Michael Bolton演唱是件快乐的事———很容易让人陷进由其歌声营造的意境当中，但除去那几首传世之作， Michael Bolton的音乐整体上的无病呻吟感还是难以掩饰———这本在所难免，仅靠情歌立足的歌手，很难有长久的生命力，除非在音乐形式上多下工夫，方能延续———而Michael Bolton在音乐风格上的单一，却大大缩短了他的艺术生命。因此，在Michael Bolton巅峰期不久，其个人专辑《The One Thing》就遭到了商业惨败。虽然在1995年，靠着翻唱作品“Can I Touch You…There？”重登热门歌曲榜，Bolton顺势推出精选集《Greatest hits 1985－1995》，市场反响很不错，但这却成为Bolton昙花一现的辉煌。很快，专辑《All That Matters》又遭遇滑铁卢，即使Michael Bolton剪去留了几十年的长发，以短发形象出现，想换换运气（也有版本说是Michael Bolton掉发太过严重，再留不了长发），却依然未能挽救他江河日下的事业。1998年，Michael Bolton发行了自己在20世纪最后一张专辑《My Secret Passion》，结果毫无起色，此时甚至传出Michael Bolton要退休的传闻。2000年 5月9日，美国联邦上诉法庭又作出裁定，判决他赔偿传奇故事歌手莱斯里兄弟540万美元，原因是他的代表作 “Love Is A Wonderful Thing”部分抄袭了莱斯里兄弟的作品。对于以创作型歌手自居的Michael Bolton来说，这一事件造成的负面影响毋庸置疑，在内外交困之时，他似乎就此倒下，再无生机。Michael Bolton从顶峰滑落的速度之快令人猝不及防。 “Said I Love You，ButILied”，Michael Bolton在全心演绎这首歌时，可曾料到自己“成也情歌、败也情歌”的宿命？可曾觉出自己的抄袭行为也像极了一个谎言？

　　2001年2月，Michael Bolton出了张精选集草草了事。不过，拥有全世界范围近5千多万张销售总量的Michael Bolton并不甘心以寂寥收场，2002年，情歌大师要反击了。

一张准备了四年的专辑会是怎样？今年4月，Michael Bolton刚刚问世的个人专辑《Only A Woman Like You》，也许没有用四年来准备，却是自1998年《My Secret Passion》后，四年里Michael Bolton第一张录音室作品。虽无 Michael Jackson为准备《Invincible》而“六年磨一剑”的细致，《Only A Woman Like You》也称得上是慎重的作品。从这张专辑收录的11首作品来看，又是以情歌为主打。从主打歌“Only A Woman Like You”，到 “Center of My Heart”、“To Feel Again”，Michael Bolton试图用不变的情歌来赢取观众。唱片邀请了一批大牌助阵，包括了乡村女歌手Shania Twain、为NSync，、Britney Spears等偶像巨星担任过制作的Max Martin和 Rami，正是在这些新势力代表的帮助下，专辑的曲风发生了明显的改变：由过去带有忧郁气息的灵魂乐风格，转为轻快、更接近现代听众口味的流行风格，从这种改变中可以看到，Michael Bolton正努力改变自己，以迎合新的听众。专辑刚刚上市不久，市场反响如何不得而知。但我们隐约可以触摸到，选择这样的改变，对Michael Bolton来说并不意味着挽救：当艺术与市场发生冲突时，过去的Michael Bolton选择了市场；而当市场失去时，Michael Bolton却未曾意识过艺术。“情歌大师”的赞誉是把双刃剑，既然Michael Bolton依然想高扬这把剑，却又无法找到合适的剑鞘，那么，伤害是可以预见的结局。

[ 本帖最后由 steveking 于 2008-10-25 13:03 编辑 ]