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开始练Hannon（哈农）
关于Hannon，在我印象里，一直是初学者使用的教材，没想到前几天，孩子让我陪ta去Music Junction（自从能在天猫买，就不来这里买书了）买了一本。这和我的认知有很大差别，于是上网查了两天，综合正反两方观点，结论是：
1、Hannon是个好东西，很多顶级音乐学院、钢琴家都在（曾经）使用。能够真正懂得使用它的人会受益匪浅。
2、Hannon一定要在懂行的导师指导下学习使用。如果使用不当，轻则浪费时间，重则自废“武功”。
直接转在从Reddit上两个人分别写的，
Broisatse said:
I've only started playing Hanon about 9 months ago. I haven't even known about its existance before.
In those few months, I got Chopin's op 10 nr 1 from 144bpm to 176bpm, and I was stuck at 144bpm for good few years. Op 10 nr 2 got up form 110bpm to about 135bpm, whcih i failed to achieve for many years as well. Basically, every aspect of my playing has significantly improved since I started playing Hanon as I have discovered many micro-tension spots when playing it. There's nothing else that changed in my practice routine and I seriously regret than no one has even mentioned it to my in my 12 years of music education.
TL;DR: Do Hanon. Daily. Properly. And be bored while doing it, it will further relax your hand.
Pianobyme said:
My first neighborhood teacher taught me Hanon poorly. -My second teacher, who taught at a university, said it was terrible for me and I should never do it again. -My third teacher, who became my principle mentor in performance/pedagogy, re-taught me how to actually use them healthily. -I use them currently, and teach specific ones to all my students.
I can also say that I know pianists who play the entire book as part of their warm-up, and of those at least one got tendinitis and rage quit piano, and another is now very successful. As others have said, it's really all in how you use it, and that road is best navigated with a teacher (but even then, be careful). If you want a little bit of insight into playing with healthy physiology, get "Mastering Piano Technique" by Seymour Fink, or "20 Lessons in Keyboard Choreography" by Seymour Bernstein.
Hanon can be deadly if you rely primarily on finger power (just like other fantastic technical books like Pischna, Czerny, Dohnanyi, the Russian 11 Chords, etc). Think of it this way: you can play with the up and down motion of solely your fingers (moving from the knuckle), or using your whole hand (from the wrist), or your whole forearm (from the elbow), or your entire arm (from the shoulder girdle) as one unit. The advantage of using the entire arm is that you learn to manipulate the weight of your arm with large gestures like dropping, shifting the weight, and rotating, which you can refine and control over time. Hanon is great for practicing these gestures and manipulations of weight, while being simple enough to really pay attention to how much tension you are bearing.
I actually do see many of these shapes in repertoire, especially pedagogical rep. If I give a student a piece that is intended to challenge them and will perhaps require them to develop a new skill, I always accompany it with a theory worksheet and a technical guide that they have to use to pre-learn some of the gestures they'll actually use in the piece. Hanon has enough shapes that I can find something applicable to almost anything.
TL;DR - Use it properly, and it can be a great help.
[EDIT] - Since there seems to be concern about this fact, I am indeed a professional pianist and pedagogue.
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一壶清茶 随遇而安. (2014-5-15) xeh060 
楼主:lingjoy
发表于 2024-10-9 21:19
